The City of Kewaunee’s Port O’Call had recently been purchased by a new owner with a vision for revitalization. Alongside extensive renovations, he aimed to capture the essence of Kewaunee’s rich heritage and vibrant future. To achieve this, he commissioned a new mural to adorn the side of his building, designed to evoke a sense of nostalgia and charm.

Embracing the retro aesthetic of antique advertising reproduction murals seen in Algoma, the mural artistically blends past and present. It features vivid depictions of paddle sport and bike rentals, reflecting the new recreational amenities offered at Port O’Call Harbor Center. The scene bursts with life, showcasing a standup paddleboarder navigating serene waters and a cyclist exploring scenic routes, framed by a backdrop as a reference toward Kewaunee’s landscape.

Incorporating elements of local history, the mural pays homage to Kewaunee’s nostalgic feel while looking toward the future. The color palette is warm and inviting, reminiscent of vintage travel posters, invoking a sense of timeless adventure and community spirit.

This mural is more than just a piece of art; it is a celebration of Kewaunee’s identity and the new opportunities that the renovated Port O’Call Harbor Center and its amazing view brings. It stands as a testament to the harmonious blend of tradition and progress, inviting both residents and visitors to appreciate the town’s enduring charm. The community can now look forward to enjoying this vibrant addition for decades to come, as it becomes an iconic landmark symbolizing the heart and soul of Kewaunee.

In the winter of 2023, Erin La Bonte of Yonder, a budding mosaic artist, embarked on her first major project. Her task was to create a stunning mosaic depicting an Earth Goddess, to be installed in the back courtyard of Yonder, a serene and secluded venue open only a few times a year for special events, which provided the perfect backdrop for this remarkable piece of art. The mosaic was to be unveiled in May 2024, after months of meticulous craftsmanship.

The mosaic speaks profoundly to the intricate connections between nature and the feminine divine. This piece, a testament to La Bonte’s emerging talent, captures the essence of an Earth Goddess in a way that is both contemporary and timeless.

The goddess herself, standing as the focal point, is a celebration of form and function. Her figure, constructed from a mosaic of tesserae, is a meticulous blend of colors and textures, each chosen to convey a specific aspect of the natural world. Her hair, formed by dark, rounded tiles, cascades around her face, reminiscent of the flowing locks found in classical depictions of feminine divinity. This is no mere decorative element; it is an invocation of nature’s untamed beauty.

Her serene expression, framed by a halo of radiant, reflective pieces, suggests a divine presence that is both ethereal and grounded. The leaves surrounding her head are not just a nod to nature but a symbol of the cyclical nature of life, growth, and rebirth. This goddess is not a distant deity; she is intimately connected with the world she inhabits.

The upper portion of her body is adorned with blue and turquoise tiles, evoking the essential elements of sky and water. These colors are not just visually striking; they remind us of the vital life forces that sustain our planet. The dark bird she cradles, possibly a raven or crow, introduces a layer of complexity and mystery. Birds have long been symbols of transformation and protection, and here, the bird’s outstretched wings create a dynamic tension within the piece.

The goddess’s torso and legs are rendered in lighter tesserae, creating a striking contrast that highlights her form and draws the viewer’s eye to the vibrant red flower at her midsection. This flower, bursting with color, represents life, fertility, and the inherent beauty of the natural world. Her feet rest upon a verdant bed of green and yellow tiles, grounding her in the very earth she symbolizes.

The background is a tapestry of earthy tones—browns, beiges, and greens—that form a naturalistic backdrop of trees and soil. This palette is not merely decorative; it situates the goddess within her rightful realm, emphasizing her role as a guardian of the earth. The border of smooth, rounded stones frames the piece, adding a tactile, organic element that enhances the artwork’s connection to the natural world.

La Bonte’s mosaic is more than a visual spectacle; it is a narrative woven from the very elements of nature. It speaks to the viewer not just through its beauty but through its profound symbolism and careful craftsmanship. This Earth Goddess is a reminder of the intricate web of life and the enduring power of the feminine in nurturing and protecting our planet.

The mosaic is now installed in Yonder’s back courtyard for viewers to enjoy.

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Jill and James Iverson traversed the Great Loop and documented their journey in writing and sketch journals. They asked Yonder to create a book cover based on Jill’s journal art. It was a fabulous collaboration to create Exploring America’s Great Loop.\

Their adventure spanned over 6,000 miles, winding through rivers, lakes, canals, and coastal waterways. The Iversons faced numerous challenges, from navigating through rough waters to encountering diverse wildlife and experiencing the vibrant cultures of countless towns and cities along the way. Each moment was meticulously recorded in Jill’s intricate sketches and James’s detailed notes, capturing the essence of their journey. Their book is not just a travelogue but a vivid tapestry of exploration and discovery, inviting readers to embark on their own Great Loop adventure.

Krumpos of Yonder took Jill’s beautiful sketches and transformed them into a stunning book cover that encapsulated the spirit of the Iversons’ journey. He meticulously selected elements from Jill’s artwork, blending them seamlessly to create a cover that was both evocative and visually captivating. Krumpos paid close attention to color palettes and textures, ensuring that the cover art mirrored the vibrant and diverse experiences documented within the pages of the book. His artistic vision and attention to detail resulted in a cover that not only attracted readers but also served as a true reflection of the Iversons’ epic adventure.

In the heart of Kewaunee, a vibrant mural now graces the cityscape, a testament to the collaborative spirit of the community. The local artists of Yonder, in partnership with the talented art students from Kewaunee High School, spearheaded this ambitious project. From the initial sketches to the final brushstrokes, the students were actively involved in every step of the process, gaining invaluable hands-on experience and artistic insight.

The mural itself is a captivating fusion of colors and themes, reflecting the rich cultural heritage and natural beauty of Kewaunee. It features a dynamic interplay of local landmarks, historical references, and abstract elements, all woven together in a harmonious composition. The students’ creativity and passion are evident in every detail, from the intricate patterns to the bold, sweeping lines.

Now, this magnificent piece of art stands as a beacon of community pride and a source of inspiration for all who behold it. Both residents and passersby are drawn to its vibrant energy, finding joy and contemplation in its many layers of meaning. The mural not only beautifies the city but also serves as a lasting reminder of the power of collaboration and the importance of nurturing young talent.

The Krampus of Yonder arrived at Green Bay’s Christkindlmarkt on December 1st at 5:30 p.m., heralded by the sound of jingling bells and ominous hoof clomps. As the creature emerged from the shadowy alleyway, cloaked in a thick, tattered lederhosen and adorned with a mask of twisted horns and a menacing grin, the crowd of festive gazers gasped in both delight and apprehension. The air grew colder, as if the very presence of Krampus brought a chill that seeped through the layers of warm clothing and blankets.

Children clutched their parents’ hands tightly, eyes wide with a mix of fear and excitement, while adults whispered tales of the mythical beast who punished naughty children during the holiday season. The Krampus moved with an eerie grace, each step calculated to enhance the sense of otherworldly mystery. His chains clanked and his burlap sack, rumored to be filled with naughty children, swayed with his movements.

The Christkindlmarkt, usually vibrant with the colors and scents of the season, seemed to take on an even more magical atmosphere as Krampus made his way to the central stage. The market’s twinkling lights reflected off the icy pathways, casting a spectral glow that added to the enchantment of the evening. Stalls filled with handcrafted ornaments, warm spiced cider, and festive pastries lined the square, creating a cozy contrast to the intimidating figure now at the heart of the gathering.

Eager attendees lined up, each waiting their turn for a photo with the legendary creature. Some were brave enough to pose with Krampus’s arm draped over their shoulders, while others kept a cautious distance, smiling nervously as they snapped their pictures. Laughter and squeals filled the air, blending with the traditional holiday music that played softly in the background.

As the night wore on, Krampus’s presence seemed to deepen the community’s connection to the folklore of the season. Storytellers spun yarns about Krampusnacht, and older visitors shared memories of their own childhood encounters with the creature. The blend of fear and festivity created a unique and unforgettable experience, one that reminded all who attended of the rich tapestry of traditions that make the holiday season so special.

By the time the clock struck 8:00 p.m., the Krampus of Yonder had bid his farewell, disappearing back into the shadows from whence he came. The crowd, now buzzing with the thrill of their encounter, continued to celebrate, their spirits lifted by the mingling of light and dark, joy and mystery, that only a visit from Krampus could bring.

I was asked by Downtown Green Bay to design a project for their first annual Art Fest, a festival centered around art and culture to enliven the downtown area. The organizers wanted the project to be collaborative, engaging the community in a meaningful way. It was suggested that the medium be clay, offering a new dimension for community art in Green Bay. While Yonder has designed several paint-by-number murals, we had yet to venture into clay, making this a unique opportunity to expand our repertoire.

After contemplating the subject matter, I decided that the Fox River would serve as an ideal inspiration. The river is a vital lifeline, dividing Green Bay into two halves and playing a significant role in the city’s history and development. The chosen location for the final installation was 238 E Walnut Street, on a retaining wall by a parking garage. This wide expanse was perfect for a horizontal representation of the river, allowing for an expansive, detailed portrayal.

To reflect the region’s rich natural heritage, I sketched flora and fauna that provided initial resources for the area’s development, both before and after European colonization. Our team, including Jenny VandenLangenberg, Jen Metcalf, Laura Schley, Keith Carter, Carrie Dorski, and others, met to discuss the design and the process of bringing it to life. Keith Carter, with his expertise in clay, was instrumental in guiding our approach.

The collaborative aspect of the project was designed to span two days, July 29th and 30th. On the first day, participating artists would scribe imagery into clay tablets or add low relief clay to create additive textures. On the second day, these pieces would be colored with glaze, adding vibrancy and depth to the artwork. After many months of drying in Keith’s studio, he and his wife, Sarah Carter, meticulously prepared the panels for installation. The mural was installed on November 11th and dedicated on November 21st.

The dedication ceremony was attended by our team, representatives from Capital Credit Union, including Kendra Leppard, Anders Goderstad, and Steve Zich, as well as Wisconsin Arts Board Chair, Brian Kelsey. During the dedication, I had the opportunity to speak about the project from a designer’s perspective. While I provided the initial sketch to kickstart the vision, the project’s success was due to the collaborative efforts of many individuals. The community played a crucial role, even submitting title ideas. “Spirit of the Fox” was chosen, beautifully encapsulating the project’s essence and my original impetus: to create a communal artwork celebrating our powerful river and its spirit.

This project not only brought the community together but also highlighted the potential for future collaborative endeavors in Green Bay. We look forward to many more projects that unite and celebrate our vibrant community through art.

The mural on Whim Parlour’s garage door is a striking black and white illustration that blends elements of nature with a whimsical touch. The intricate design features large flowers, mushrooms, and a variety of plant life intertwined with fantastical elements, creating a scene that is both enchanting and surreal. The detailed line work and bold contrasts draw the viewer’s eye, inviting them to explore the myriad of forms and figures hidden within the composition.

Whim Parlour’s vision for a unique and captivating piece of art is perfectly realized in this mural, which serves as a statement of her brand’s creativity and individuality. Located behind the Rahr-West Museum, this artwork adds to the vibrant collection of murals in Manitowoc, enhancing the town’s cultural landscape. The mural not only beautifies the space but also acts as a beacon for art lovers and curious passersby, making Whim Parlour’s salon a must-visit destination in the community.

Peter Rathanman, CEO of Allis Tool, was gearing up for his company’s 70th Anniversary, which included a significant rebranding effort to rename his company Allis Manufacturing. Peter had acquired the business several years ago and had been driving excellence ever since. As part of the rebranding, he envisioned a mural on the side of the company building to celebrate the rich manufacturing tradition of West Allis.

This endeavor began in 2020, just before the pandemic hit. When the coronavirus started to spread, creating uncertainty and disruptions, the mural project was put on hold. By 2022, with a semblance of normalcy returning, the project resumed. Peter, known for his vast knowledge of manufacturing history in West Allis, was keen on certain key images he wanted to include in the mural. One of these was Allis Chalmers, a manufacturing powerhouse in the early part of the last century.

“West Allis was the machine shop for the world,” Peter often said, highlighting the pivotal role the city played in global manufacturing. His deep appreciation for this history was evident as he shared insights and stories, which he also detailed in an article available on the company’s website here https://www.allismfg.com/news_and_events/mural-project-west-allis/.

The mural, titled “Timeless Manufacturing,” was more than just a piece of art; it was a tribute to the enduring spirit of the manufacturing community in West Allis and Wisconsin at large. The design process involved intricate planning, with Peter and the design team ensuring every element captured the essence of the city’s industrial legacy.

In the mural, images of massive factory machines, hardworking laborers, and iconic buildings from West Allis’s manufacturing past were prominently featured. Each brushstroke told a story of innovation, resilience, and community pride. The mural was set against a backdrop of the Allis Chalmer’s factory floor, seamlessly blending historical and contemporary elements to symbolize the ongoing journey of Allis Manufacturing.

Peter’s vision for the mural extended beyond aesthetics; he saw it as an educational piece for future generations. It served as a reminder of the city’s contributions to the world and the importance of preserving this heritage. The community embraced the mural, with many locals sharing their own stories and connections to the city’s manufacturing roots.

“Timeless Manufacturing” stood as a testament to Peter Rathanman’s dedication to honoring the past while steering Allis Manufacturing into a future of continued excellence. The mural project, much like the company itself, was a fusion of history, innovation, and community spirit, making it a source of pride for everyone involved.

Lynn Heidemann of Steele Street Trading is a long-time supporter of the arts in Algoma, and it was time for another mural on her building. She provided us with some ideas but was also a firm believer in allowing the artist’s creativity to run a little wild. Blending her vision as a tribute to her family, we conjured up a mural that would enchant those walking by and give them something to marvel at.

The mural is a vibrant tapestry of nature, where a dark blue night-time sky serves as the perfect backdrop for an explosion of color and life. Pink mushrooms sprout with an almost magical glow, their caps a stark contrast against the deep blue. Snails with whimsical, spiral shells crawl leisurely over lush green leaves, adding a sense of slow, serene movement. A brilliant butterfly, with wings painted in shades of pink, flutters beside a dragonfly that seems to dance on the petals of a striking blue cornflower.

Above this enchanted garden, a crescent moon casts a gentle light, enhancing the mural’s dreamy quality. The scene is not just a celebration of nature’s beauty but an invitation to step into a whimsical world where the ordinary becomes extraordinary. The words “Algoma Wisconsin” are subtly woven into the mural’s base, grounding this fantastical scene in a sense of local pride and community spirit.

This mural, with its blend of realistic detail and imaginative flair, offers a moment of tranquility and wonder to all who pass by. It’s a testament to Lynn Heidemann’s dedication to the arts and her belief in the transformative power of creativity, providing the town with a beautiful, whimsical piece that captures the imagination and celebrates the natural world.

Jan and Chad, the proud owners of The Epicenter in Sturgeon Bay, approached us with an exciting opportunity: to transform the large wall of their 4th Avenue building into a vibrant work of art. Despite the chill of the winter months, we eagerly embraced the challenge, brainstorming and collaborating to design a concept that would bring warmth and color to the community. Our efforts culminated in a stunning mural that captured the essence of nature’s beauty and the spirit of togetherness.

The design process was a labor of love, and by spring, we had finalized a vision that encompassed a breathtaking natural landscape. It featured an array of vivid flowers, delicate butterflies, and a mesmerizing sunset over a tranquil body of water, all elements meant to evoke peace and joy. The scene was further enriched by the inclusion of rugged rocks and majestic trees, creating a harmonious balance between serenity and strength. A silhouette of a person standing on the edge of a cliff added a human touch, reminding viewers of their connection to the natural world.

The excitement grew as the mural project moved from paper to reality. On June 23rd, the community gathered to bring the lower portion of the mural to life. It was a heartwarming sight as people of all ages and abilities came together, each contributing their unique touch to the wall. The air was filled with laughter and the sounds of brushes against the wall as everyone painted their little piece of the mural.

The mural not only beautified the neighborhood but also became a symbol of community spirit and collaboration. It stands as a testament to what can be achieved when people come together with a shared vision. Every time someone passes by The Epicenter, they are reminded of the unity and creativity that brought this vibrant scene to life, making it a beloved landmark in Sturgeon Bay.

Door County Daily News has an interview with Erin here.

We were thrilled to be part of the 3rd Annual Mural and Busker’s Fest organized by Downtown Green Bay’s vibrant Broadway district. This event, now in its third year, has already resulted in the creation of 30 stunning murals, transforming the area into a dynamic outdoor gallery. The festival’s popularity continues to soar, as evidenced by the over one hundred talented artists who applied this past year alone.

For our contribution, we collaborated closely with Stage 1,, the welcoming venue where our mural now proudly stands, as well as the Broadway committee, the dedicated custodians of the wall which will soon be part of the highly anticipated Public Market. Together, we brainstormed, conceptualized, and brought to life a vision that encapsulates the spirit of Green Bay.

The mural itself is a celebration of the city’s rich heritage and dynamic present. Dominating the left side is a majestic Bay Beach train, symbolizing Green Bay’s industrial past and its ongoing journey toward progress. Interwoven with this is a lush representation of nature, with vibrant green leaves sprouting throughout, signifying growth and the importance of preserving our natural environment.

At the center of the mural, viewers are treated to a breathtaking scene of a sunset, its vivid orange and pink hues reflecting over tranquil waters. This imagery evokes a sense of calm and beauty, reminding us of the simple yet profound joys found in our everyday surroundings. To the left, the Ferris wheel rises behind the train, hinting at the leisure and community spirit that define our city’s character.

On the right, the mural pays homage to the arts with a depiction of the grand West/Tarlton theater marquee. A solitary figure in a coat and hat, none other than the legendary Packers coach Vince Lombardi, stands facing the theater, embodying the pride and excitement of the this community has become. His presence signifies pride in the community’s growth and achievements. Bridging these diverse elements is a structure that symbolizes connection, continuity, and the shared journeys we all undertake in life.

Through vibrant colors and dynamic scenes, our mural encapsulates the essence of Green Bay—its industrious roots, its natural beauty, and its thriving cultural landscape. We are deeply grateful to have had the opportunity to contribute to this ever-evolving tapestry and look forward to witnessing the continued growth and enrichment of our community through art.

It was a great Father’s Day weekend, with live music on the stage along side us.

A group of enthusiastic students from The Algoma Venture Academy, a vibrant public charter school, approached Yonder with an inspiring idea: to have us teach a mural class, culminating in a community-painted wall in our city. Throughout the crisp winter months, we embarked on this creative journey together. The eight talented students collaborated passionately, brainstorming and sketching to design a mural that would reflect the spirit and unity of our community.

Under the guidance of our skilled instructors, the students honed their artistic skills, learning about color theory, composition, and the powerful impact of public art. Each session buzzed with creativity and camaraderie as ideas flowed and the mural’s vision gradually took shape. The students’ design was a vibrant tapestry of local culture, natural beauty, and shared dreams, embodying the essence of our city’s identity.

As the first blossoms of spring hinted at the arrival of warmer days, we began the next exciting phase: painting the mural. The chosen wall, nestled in the alley just behind Yonder’s studio, became our canvas. Armed with brushes and an array of bright paints, the students started bringing their design to life. The wall gradually transformed, each stroke adding depth and vibrancy to the unfolding masterpiece.

In late spring, with the mural partially complete, we decided to invite the entire community to join in the creative process. We organized a paint-by-number event, making it accessible for everyone, regardless of artistic experience. The anticipation built as we spread the word, and on a sunny Saturday morning, the alley buzzed with excitement.

Around 150 of our neighbors, ranging from toddlers with paint-smeared hands to elderly residents with memories of a bygone era, came together to participate. The event was a joyful celebration of community spirit, with laughter and conversations filling the air. Families worked side by side, friends reconnected, and strangers became acquaintances, all united by a shared purpose.

As the day progressed, the mural blossomed into a kaleidoscope of colors, each section painted by different hands but harmoniously blending into a stunning whole. The once-blank wall now told a story of collaboration, creativity, and community pride.

This project not only beautified our city but also strengthened the bonds within our community. It was a powerful reminder of what we can achieve when we come together with a common goal. The mural stands as a testament to the creativity of The Algoma Venture Academy students, the support of Yonder, and the vibrant spirit of our city, marking the start of a summer filled with hope and new beginnings.

Yonder proudly presented “Shadow Play – A Night of 4 Puppet Shorts by 4 Puppeteers” on March 31, 2023. This unique event was the grand culmination of the intense and creative work done during a two-week workshop led by the renowned puppeteer Don Krumpos. The workshop, which focused on the art of shadow puppetry, allowed participants to explore the depths of storytelling through intricate paper cut designs and innovative puppet manipulation techniques.

Among the dedicated participants were Cecily Schleicher and Jill Iverson, who attended the workshop and produced captivating paper cuts for stories they had crafted themselves. Their work, along with that of their fellow puppeteers, was showcased during the event, each performance highlighting their unique styles and narrative talents.

That magical night, Don Krumpos himself performed “Bone Memory,” a haunting tale that delved into the echoes of the past and the memories etched into our very bones. His performance was a masterclass in shadow puppetry, using light and shadow to evoke deep emotions and tell a story that resonated with the audience.

Cecily Schleicher enchanted the audience with “Anansi and the Box of Stories,” a whimsical and colorful retelling of the classic African folktale. Her intricate paper cuts brought the cunning spider Anansi to life, capturing the essence of the character’s wit and charm.

Jill Iverson presented “Love Can Make a Man Do Great Things,” a poignant narrative that explored the transformative power of love. Through her delicate paper cuts and evocative storytelling, Iverson conveyed the profound impact of love on the human spirit, leaving the audience moved and inspired.

Erin La Bonte concluded the evening with “Flutter,” a gentle and mesmerizing piece that depicted the delicate beauty of nature and the fleeting moments of life. La Bonte’s performance was a visual and emotional feast, with graceful movements and intricate designs that captivated the audience’s imagination.

“Shadow Play – A Night of 4 Puppet Shorts by 4 Puppeteers” was a celebration of creativity, storytelling, and the art of shadow puppetry. The event not only showcased the incredible talents of the puppeteers but also highlighted the power of collaborative artistic efforts. The audience left with a renewed appreciation for the art form and the stories that can be told through the dance of light and shadow.

Students, ages 8 to 18, spent the day in our printmaking studio.  They were introduced to monotype printmaking and got the opportunity to create original, one of a kind prints by exploring different surfaces, painting and inking techniques.  These works of art were hand-rubbed or were be run through our etching press. 

Yonder printmaker Don Krumpos led this class and inspired students by sharing his work as well as techniques and the importance of process in printmaking.  

$35 per student includes all necessary materials

Due to space concerns this class is open to no more than 10 students.

ArtBeet Kewaunee is proud to present its 2nd Annual Youth Art Month (YAM) celebration throughout March 2023. Yonder hosted an exhibit as part of ArtBeet’s city-wide exhibit at many of the art galleries across Algoma.

New Printmakers spent a night “out” in our studio.  They created original, one of a kind monotype prints by exploring different surfaces, painting and inking techniques.  These works of art were hand rubbed or can be run through our etching press. They brought inspiration and left with beautiful art prints. 

$45/per participant 

We will provide beverages, water, glasses, corkscrews, bottle openers, snacks, and supplies!

Due to space concerns this class is open to no more than 10 students.

Ages 21+

Artist Workshop

Schedule: 2 classes 

Ages 12 and up

Saturday, March 18  9 am-2 pm

and

Saturday, March 25 10 am-4pm  

 

Sign up at https://shadowpuppets.bpt.me/

 

Public shadow puppet performance beginning at 5 pm March 25.

Workshop Price:  All supplies will be provided.  Yonder will order pizza on Saturday March 25th for all participants.  Please bring your own snacks, lunch and beverages.

Adults: $200

Artists under 18: $100

Class Limit: 10

Workshop Description

Puppeteer, Don Krumpos, will share shadow puppet history, storyboarding and process as well as technical craft. Students will create their own shadow puppet short animation (about 5 minutes).   Creative work is encouraged outside of class time to refine their performance.  Students will work collaboratively and perform their puppet show on March 25th at 5 pm in a public performance hosted by Yonder.  All artists, students and professional artists, ages 12 and up are welcome!

 

Due to space limitations this class is open to no more than 10 students.

 

Since this course has a lot of material put into a small amount of time, we have prepared some material for you to look at ahead of time.

Once you’ve signed up for the course, you’ll be sent additional course materials to start early, and between course dates so that we can make the most of our time together.

 

 

 

In 2022, SeaGrant celebrated its 50th anniversary. To mark this significant milestone, they commissioned a mural painted by talented Wisconsin artists. The vibrant and dynamic city of Sturgeon Bay was chosen as the perfect location for this commemorative artwork.

Collaborating closely with Jody Henseler, a respected local teacher, friend, paddler and fellow artist, the artists aimed to create a mural that not only celebrated the organization’s legacy but also highlighted the beauty and importance of Lake Michigan. Jody’s extensive scientific knowledge and deep passion for the water played a crucial role in shaping the mural’s design.

The mural is a stunning visual narrative that captures the essence of Lake Michigan’s ecosystem, from its shimmering waters and diverse marine life to the rich cultural history and communities that thrive along its shores. The mural showcases the interplay between humans and nature, emphasizing the need for conservation and sustainable practices to protect this precious natural resource for future generations.

Jody Henseler’s input ensured that the mural was not just a piece of art but also an educational tool. Elements of the mural depict key scientific concepts and the delicate balance of the lake’s ecosystem. Through vibrant colors and intricate details, the mural tells the story of Lake Michigan’s past, present, and future, inspiring viewers to appreciate and protect the lake’s natural beauty.

The mural has become a beloved landmark in Sturgeon Bay, drawing residents and visitors alike to marvel at its beauty and reflect on the importance of preserving the Great Lakes. It stands as a testament to SeaGrant’s 50 years of dedication to environmental stewardship, education, and community engagement, and it continues to inspire a sense of wonder and responsibility towards Lake Michigan and beyond.

A video by SeaGrant’s Bonnie Willison can be seen here.

 

It was a beautiful day in the neighborhood as Manitowoc Sputnik Fest attendees came by to help paint the mural on First Presbyterian Church. Pastor Matt Sauer wanted a Mister Rogers-themed mural on his wall, since Mister Rogers was a Presbyterian minister and the “closest thing we have to a saint” he said. Pastor Matt has a giving and inclusive organization, so the mural was to display this idea to the traffic as they are heading down the hill into downtown Manitowoc.

The Sturgeon Bay Historical Society with their hard work in preserving the Teweles and Brandeis Grain Elevator, wanted a mural paying homage to the Sturgeon Bay’s agricultural roots. Bayside Bargains , which is across the street from the grain elevator, allowed us to paint on their wall. The historical society knew they wanted to represent the agriculture heritage of the water to the land so we went about designing a concept that included their famous steel bridge, a wooden clipper ship, that would haul the seeds to the granaries, and in the center, the seed itself as a center point, and then a transition around the wall to a pastoral land with rolling hills which Door County scenery did then, and still does abound in. This was also  a paint-by-number mural in which the community turned up to finish painting the lower half.

Here is an interview by Door County Daily News about the process.

We were invited by On Broadway to participate in their Second Annual Mural and Busker’s Festival. They wanted a food-themed mural and with knowing about their renowned farmers market, we wanted to include foods and flowers that would be found during harvest season in Northeastern Wisconsin. We included some butterflies to indicate the importance of these pollinators in the food growing process.

We invited David Carpenter a usual partner, and Gabby Krumpos, an emerging artist and designer to help us complete this large artwork in the required 4 days. David’s impeccable skill would help render the vegetables to realistic perfection, and Gabby is an up-and-coming mural artist, and they will help with two other murals later this year.

Erin and Don came out a couple nights early to project the outlines, and we met some of the local business owners already on this hot July night. The next day, we painted in some of the higher background areas, to get them out of the way. It was Wednesday, so we got to visit the farmers market for a little while.

Thursday was the official start and our team was assembled. Every day in the morning and before we left, we would drive or walk to see other nine artists working on their mural. Saturday and Sunday, were the days that the Festival occurred so the buskers and musicians were out in full force and we got to meet some wonderful people. Old friends stopped by to see the spectacle; and it was a reunion of sorts.

We completed the painting just on time, on Sunday about 4 p.m. This event will end up being one of our best memories of mural painting because of the energy and camaraderie surrounding us.

We were contacted by the City of Fond du Lac Downtown Committee.

Saturday March 26th 9-4 pm 
Students ages 10 and up spent a day in our printmaking studio learning the art of creating a linocut relief print. Participants began by learning what makes an ideal image for printing. Students then used gouges to form their linocut, roll on ink and pull their original work of art using hand-rubbing techniques and our etching press.

Yonder printmaker Don Krumpos led this class and inspire students by sharing his work as well as techniques and the importance of process in printmaking.

$50 per student includes lunch and all necessary materials

Due to space concerns this class was open to no more than 9 students.

This class was offered in collaboration with Art Beet’s Youth Art Month’s Initiative.

Register at https://printmaking.bpt.me

We couldn’t say it better than our friend and attendee Alex Galt over at his blog.

I saw a beautiful thing a couple of weeks ago and I wanted to tell you about it because, by its very nature, I can’t share it with you. And maybe that was the point. These days the accepted thing is to seek virality, maybe to put your spin on a meme and to send it out into the world hoping for a million views. Because attention is currency and it’s come to be how we place value on things. What I’m about to describe is on the opposite end of the continuum from whatever Kim Kardashian West is doing. Imagine working hard to create a layered and beautiful artistic performance that will be seen and enjoyed by no more than 60 people. I mean, what would be the point? Right? I’m talking an original story with elaborate props, costumes, shadow puppets, simulated stained glass windows, stage sets, food, and giant papier-mâché hands. True, the audience to effort ratio for the performing arts is much lower than for other media, due to their ephemerality. For example, I have a college friend who is a relatively successful playwright in New York and it’s been almost impossible for me to follow his career from my home in Wisconsin. But what I’m about to describe feels like it was specifically designed to be immune to digital virality and, in retrospect, I think that’s part of why I found it so thrilling.

Yonder and the Krampus

On a Saturday evening in early December, Don Krumpos* and his team presented “Krampus Claws Is Coming to Town” at Yonder, Krumpos’ art gallery and studio in Algoma, Wisconsin. Using a blend of storytelling, shadow play, illustrations made from simulated stained glass, and immersive theater, Krumpos and his troupe told an original story using elements of the German and Icelandic Christmas folk traditions. First, there was Krampus, St. Nick’s horned and bearded co-worker, who has been punishing the wicked children of Germany for centuries. This Christmas, Krampus discovered that morality is not as simple as black and white, that ‘bad’ kids are sometimes good kids in bad circumstances. Initially he’s perplexed by this moral ambiguity, but by the end of the show he’s taken it to heart and found a new role to play during Christmas. Then there was Gryla, a giantess who traditionally punishes the misbehaving children of Iceland with the help of the “Yule Lads” and her terrifying Yule Cat. (Apparently Iceland has a more interesting Christmas season than we do). In Yonder’s retelling, Gryla and her minions have been locked beneath the earth for a thousand years, bound by magical spells cast with air, water, and fire. And these bonds are weakening…

Enter the audience

“Krampus Claws” was divided into three acts with an intermission between each act. As the audience mingled and consumed Krampus-inspired snacks, treats, and ciders (both hot and alcoholic), costumed members of the troupe pulled individuals or small groups of people to visit with the spirits of water, air, and fire. Each of these experiences, which were elaborately presented in smaller spaces, yielded a token: a rubber “fireball,” a kazoo, and a small water pistol. Participants were asked to hang on to these and to keep them hidden. In the third ‘act,’ which was primarily conveyed using shadow puppets, Gryla and her brood slipped their bonds and prepared to wreak havoc on the children of Earth. But at the last minute they were turned back by Krampus, freshly motivated by his new, more nuanced moral understanding. In fact, he has come to see that it’s now Gryla who is misbehaving and in need of punishment. Finally, Krampus and the narrator of the story rallied the audience to defeat the Icelandic folk monsters, including the Yule Cat, with their fireballs, kazoos, and water pistols. Thus, another merry Christmas was assured and the balance of the universe maintained.

Nothing I write here (not even Joshua Clark’s photos, though they tell part of the story) can convey the sense of wonder that this production produced in the audience. We collectively gasped and laughed as all of the elements of the production converged at the end. Elements that may have felt absurdist and a little off-handed at the time were revealed to be dramatically important. It all felt cathartic and almost ritualistic… but without any of the self-seriousness that things too often have this time of year. As with everything Krumpos does—working alone or with his co-conspirators—from his beautiful prints to the murals he’s been painting in communities all over Wisconsin, every aspect of the event was beautifully detailed and well considered. This year’s Krampus costume was feral, like something out of a deep, medieval Alpine forest, and in an entirely different way than the equally beautiful Krampus figure he designed for the 2019 show (which is currently on display at Yonder’s storefront at 321 Steele Street in Algoma). The shadow puppets, which Krumpos has been experimenting with since producing a workshop with Minneapolis’s Michael Sommers, co-founder of Open Eye Theater, at UWGB seven years ago, were intricately cut and full of playful effects.

This is a type of experience that feels rare to me to me these days, it reminded me of a culture of artistic production that was more familiar to me in my 20s—back in the 1990s—long before the potential for virality demolished the idea that a thing could be done just for itself and just for the people fortunate enough to be in the room. That it was so creative, so well executed, and so beautiful just made it all the more precious. Krumpos says that these Krampus pageants (for lack of a better term) will continue… you should make a point of getting on his mailing list so you don’t miss out!

* Who is Don Krumpos? He is a muralist, printmaker, and multimedia artist who has been an art professor at the University of Wisconsin—Green Bay.

This mural was commissioned by the Community Improvement of Algoma in one of their “pocket parks”.

We had the opportunity to design the poster for the 100th Anniversary of the Capitol Civic Centre in Manitowoc, Wisc.  Thanks to Lori Kirby, the marketing directory, to provide the guidance to get this done in the style that we liked, and that their board was delighted in.

This idea was conceived in the mind of City of Manitowoc Water Treatment Facility employee Scott Krause in 2015, and in 2020 this painting came to life, after the City of Manitowoc came to us to paint this image of a rainbow trout on their giant gas sphere painted to look like a giant bobber. 

Let it exist to delight visitors after they arrive from Michigan on the USS Badger ferry, and add a splash of color to an heterotopic, industrial area.

Thanks to Hallman-Lindsey for paints and Hamann Construction for the donation of the lift.

 

We enjoyed doing this mural

Bone Memory was a shadow puppet short performed at Yonder on October 4th, 2019

 

Deborah Maris Lader is a Chicago printmaker.

Nick Utrie is a Green Bay musician.

 

Woodland Dunes is a nature preserve in Two Rivers Wisconsin. They asked us to paint a mural on the old barn on the property that when visitors drove in, it would be one of the first things they would see. It included some flora and fauna on their land, such as a saw-whet owl, turtle and fox.